- after Still Life with Compote and Glass, Pablo Picasso, 1914-15
With your ivory dish crooking out like an elbow,
A bicep with halved fruit and mutilated book resting
Upon its porcelain skin? A forgotten newspaper
Split
Down the middle and skewed
As if to imply the slanted truth journalism or a
Reclusive wish to be
Left alone.
Most haunting the frosted goblet, tilting as it
Floats, defying the wooden moldings that threaten to
Anchor it to this place, this time, this meal.
Brimming with inky blackness, you dipped the edge of the crystal
Far too low with your paintbrush,
Until I'm sure that ebony shadow dripped out and pooled
On the surface of your still-life
Ruining your composition.
Oh, Picasso, your pixelation begs for a calm, steady hand to
Rearrange it,
To slide the pieces of this puzzling enigma together.
Fragmented seems about right.
I mark time by the turning of the dial on my Brita water pitcher:
Another two months
Til I change.
Still... life continues.
My plants thrive and wither, pleading with me to
Notice. My own composition of bills and catalogues
And the occasional letter reduce my own table to a
Plateau of paper.
My arms and legs bend, my mouth opens, my eyes blink and spew
Their own liquid on the bedsheets.
Entities of their own and
Sliced from the whole.
Someone, put me together!
Soothe my eyes from this fissure of light and matter.
Hold my hand next to my wrist,
Press my neck into place
And let them heal, veins vining through
Tendons and muscles and bone.
Keep me this way to greet the world.
Don't let me go.
- Emily Gaustad
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